Art in the Age of Technoscience by Ingeborg Reichle

Art in the Age of Technoscience

Fine art in the Historic period of Technoscience : Genetic Technology, Robotics, and Artificial Life in Contemporary Art

Description

Is science the new art? Starting from this provocative question, art historian Ingeborg Reichle examines fascinating responses of contemporary artists when faced with recent scientific and technological advances. Her book contains 280 color images.
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Product details

  • Paperback | 422 pages
  • De Gruyter
  • Walter de Gruyter & Co
  • Berlin, Deutschland
  • English language
  • 456 Illustrations, color
  • 3990431870
  • 9783990431870

Tabular array of contents

FOREWORD INTRODUCTION I Art at the Border of Science Techno-Scientific discipline-Fine art - Technological and Aesthetic (Trans)Formations of Art and Science II Art (History) and Genetics Early Intersections of Art and Biological science Gene Culture: Molecular Visions in Contemporary Art The Art of Deoxyribonucleic acid III Transgenic Art - Art in the Age of Biotechnology Eduardo Kac and the Emergence of Transgenic Art The Fine art of Cloning: Genesis Living pictures: GFP-K9 and Bunny 2000 Sources: Holopoetry, Telepresence Art and Telerobotic Fine art Joe Davis and the Making of Transgenic Art Fine art Emerging from the Laboratory Living Fine art: Microvenus and the Milky Mode DNA The Delbruck-paradox: Riddle of Life Semi-living Fine art: SymbioticA IV The Grammar of Genetics More than a Metaphor: The Emergence of Biofacts Genetic Disorder: Bioaesthetics BioArt: Where Art and Science Meet? V Fine art in the Age of Cybernetics and Constructed Biology Art and Bogus Life The Logic of Life Learning nearly Life - Learning nigh Cocky-Orgnisation Algorithms of the Living Globe VI Bogus Life and Robotics Living Sculptures The Robot in the Garden The Coevolution of organic and technological cultures Art and Robotics Vii Artificial Life Art Christa Sommerer and Laurent Mignonneau: Art and the Digital Evolution Beyond Digital Naturalism: A-Volve Art as a Living System: GENMA and Life Spacies Silicon 2nd Nature: The Game of Life VIII Art and Artificial Worlds Jane Prophet: Communication and Digital Evolution Virtual Bodies in the Digital Age: TechnoSphere and SWARM Cyberspace: Deleting the Body Fine art and Artificial Nature CONCLUSION: Is science the new art? Notes Bibliography Credits Index
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About Ingeborg Reichle

Ingeborg Reichle (1970) studied art history, archæology, sociology, and philosophy in Freiburg i. Br., London, and Hamburg. She holds an MA in Art History from the Academy of Hamburg and received her PhD from the Humboldt Academy in Berlin in spring 2004. From 1998 till 2003, she was active as research fellow in the Fine art History Department at the Humboldt University in Berlin, and taught courses in new media art also as courses about the interplay betwixt art and scientific discipline. While at Humboldt University she was also involved in the practical awarding of electronics through the apply of computers and new media in art historical work, such as distant-learning projects, developing relevant Internet resources, web constructions, and prototype data bases (Prometheus). Her doctoral dissertation, which explored art, artificial life, and biotechnology in the age of technoscience, was published in 2005 by Springer: "Kunst aus dem Labor. Zum Verhaltnis von Kunst und Wissenschaft im Zeitalter der Technoscience" Vienna/New York 2005. Since 2005 she lectures at the Hermann von Helmholtz Zentrum fur Kulturtechnik at the Humboldt University in Berlin, and is currently enquiry young man at the Berlin-Brandenburg University of Sciences and Humanities in Berlin in the interdisciplinary research group "The Earth every bit Image".
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